É«¿Ø´«Ã½

Skip navigation

Main menu

  • What's on
  • Art & Artists
    • The Collection
      Artists
      Artworks
      Art by theme
      Media
      Videos
      Podcasts
      Short articles
      Learning
      Schools
      Art Terms
      Tate Research
      Art Making
      Create like an artist
      Kids art activities
      Tate Draw game
  • Visit
  • DISCOVER ART
  • ARTISTS A-Z
  • ARTWORK SEARCH
  • ART BY THEME
  • VIDEOS
  • ART TERMS
  • SCHOOLS
  • TATE KIDS
  • RESEARCH
  • Tate Britain
    Tate Britain Free admission
  • É«¿Ø´«Ã½
    É«¿Ø´«Ã½ Free admission
  • Tate Liverpool + RIBA North
    Tate Liverpool + RIBA North Free admission
  • Tate St Ives
    Tate St Ives Ticket or membership card required
  • FAMILIES
  • ACCESSIBILITY
  • SCHOOLS
  • PRIVATE TOURS
Tate Logo

You might like

Left Right
  • Hush!

    Frank Holl
    1877
  • Hushed

    Frank Holl
    1877
    On display at Tate Britain part of Historic and Modern British Art
  • Il y en a toujours un autre

    Marcus Stone
    1882
  • Faith

    George Frederic Watts
    ³¦.1890–6
  • The Messenger

    George Frederic Watts
    ³¦.1884–5
  • Chaos

    George Frederic Watts and assistants
    ³¦.1875–82
  • The Court of Death

    George Frederic Watts and assistants
    ³¦.1870–1902
  • The Prison Window

    John Phillip
    1857
  • Sketch for ‘Vision of Ezekiel’

    Paul Falconer Poole
    c.1875
  • The Triumph of the Innocents

    William Holman Hunt
    1883–4
  • The Temple of Love

    Sir Edward Coley Burne-Jones, Bt
    date not known
  • The Wooing of Daphnis

    Arthur Lemon
    exhibited 1881
Artwork
Close

Join in

Sign up to emails

Sign up to emails

This site is protected by reCAPTCHA and the Google and apply.

°Õ²¹³Ù±ð’s privacy policy

About

  • About us
  • Our collection
  • Terms and copyright
  • Governance
  • ARTIST ROOMS
  • Tate Kids

Support

  • É«¿Ø´«Ã½
  • Patrons
  • Donate
  • Corporate
  • Press
  • Jobs
  • Accessibility
  • Privacy
  • Cookies
  • Contact
© The Board of Trustees of the Tate Gallery, 2025
All rights reserved