Showing 181–200 of 3,427 results
Je travaille sur la présence
Didier Vermeiren, Je travaille sur la présence; Tate Papers no.8
Replicas of Constructions by Naum Gabo: A Statement by the Copyright Holders
Nina and Graham Williams, Replicas of Constructions by Naum Gabo: A Statement by the Copyright Holders; Tate Papers no.8
Replication of Sculpture / Works of Art: Legal Guidelines
Tate Legal and Copyright Department, Replication of Sculpture / Works of Art: Legal Guidelines; Tate Papers no.8
Digitisation and Conservation: Overview of Copyright and Moral Rights in UK Law
Tate Legal and Copyright Department, Digitisation and Conservation: Overview of Copyright and Moral Rights in UK Law; Tate Papers no.8
Terminology for Further Expansion
Terminology for Further Expansion; Tate Papers no.8, on replication and conservation of fragile and disintegrating scultpures
Selected Bibliography
Selected Bibliography; Tate Papers no.8; following the Inhernent Vice conference on the replication of fragile and disintegrating sculpture, especially that …
Participant Biographies
Participant Biographies; Tate Papers no.8, following the Inherent Vice confernece on the replication of fragile and disintegrating scultpure
The Libidinal Archive: A Conversation with Akram Zaatari
In this interview the Lebanese artist Akram Zaatari discusses his  major works of the last fifteen years, addressing some of …
August Sander and the Artists: Locating the Subjects of New Objectivity
Dorothy C. Rowe sheds light on the role played by photographer August Sander among the group of artists known as …
August Sander’s Der Bauer and the Pervasiveness of the Peasant Tradition
Examining August Sander’s Der Bauer group of photographs in relation to the historical representation of peasants in German art, Christian …
Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars
Examining landscape imagery produced after the third Anglo-Mysore War (1789–92), Rosie Dias argues that these works oscillated between memorialisation, personal …
August Sander’s Portraits of Persecuted Jews
Countering the characterisation of August Sander’s work as politically neutral, Rose-Carol Washton Long argues that the ‘The Persecuted’ and ‘Political …
Face-Off in Weimar Culture: The Physiognomic Paradigm, Competing Portrait Anthologies, and August Sander’s Face of Our Time
August Sander’s photobook Face of Our Time is discussed in relation to interest in physiognomy in Weimar Germany. Much of …
Face to Face? An Ethical Encounter with Germany’s Dark Strangers in August Sander’s People of the Twentieth Century
August Sander’s portraits of marginalised subjects are often evoked as visual shorthand for his inclusive vision of the German nation. …
Who Will Sing the Song? Learning Beyond Institutional Critique
This essay addresses institutional critique in relation to learning in the art museum. It aims to introduce an alternative approach …
‘New Ways of Modern Bohemia’: Edward Burra in London, Paris, Marseilles and Harlem: Rothenstein Lecture
Paying close attention to Edward Burra’s letters, scrapbooks and other archival material, Andrew Stephenson reveals the impact that the cosmopolitan …
The imagination set ablaze
Learn more about J.M.W. Turner's extraordinary watercolour sketches of the burning of the Houses of Parliament in 1834
Simon Cutts 'Poinsettia' 1975
'Poinsettia' is an artist book by Simon Cutts
Edward Ruscha 'Twentysix Gasoline Stations' 1963
'Twentysix Gasoline Stations' is an artist book by Edward Ruscha
Suspending Disbelief: The Dubious Role of Skeuomorphism in Software Design
The use of metaphor in digital design – making digital versions of real-life objects from bookshelves to car dashboards – …