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  • All(178,250)
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Showing 2,281–2,300 of 3,389 results

Tate Etc

The early adventures: Gabriel Orozco I

Francesco Bonami

Since it was shown at the Venice Biennale in 1993, Gabriel Orozco’s Empty Shoe Box has become one of most …

Tate Etc

The deliberate accident in art: Blots

Christopher Turner

Ever since Leonardo da Vinci urged artists to search for inspiration in the dirt on walls or the streaked patterns …

Tate Etc

A connoisseur of uncertainty: Susan Hiller

Brian Dillon

Susan Hiller: In her mixed-media installations and video works, Susan Hiller’s art journeys through the intangible landscapes of imagination, dreams …

Tate Etc

Colour me British: Watercolour I

Klaus Kertess, Jerry Brotton, Vidya Gastaldon, Jennifer Higgie, Silke Otto-Knapp, David Attenborough, Matsui Fuyuko, Deanna Petherbridge and David Musgrave

Tate Britain is staging a grand survey of watercolour painting in Great Britain, from the early thirteenth century through to …

Tate Etc

A centre of intelligence: Mathaf: The Arab Museum of Modern Art, Doha, Qatar

Simon Grant1

Simon Grant, editor of Tate Etc. visits the inauguration of Mathaf: Arab Museum of Modern Art in Doha

Tate Etc

Burn, canvas, burn: Joan Miró

William Jeffett

While the work of Joan Miró (1893–1983) may be well known across the world, a forthcoming exhibition at É«¿Ø´«Ã½ …

Tate Etc

Books Etc. The Surreal House reviewed

Jenny Wong

The Surreal House, by Jane Alison with essays by Mary Ann Caws, Brian Dillon and others. Published by Barbican …

Tate Etc

Staring into the contemporary abyss: The contemporary sublime

Simon Morley

In the early eighteenth century Joseph Addison described the notion of the sublime as something that ‘fills the mind with …

Tate Etc

‘The Process of Drawing is like Writing a Diary: It's a Nice Way of Thinking About Time Passing’: Rachel Whiteread

Bice Curiger

To coincide with Tate Britain’s exhibition of the artist’s drawings, as well as the objects from her personal collection that …

Tate Etc

Poem of the month: Reimagined Garden

Jennifer Wong

A poem inspired by John Sargent's work Carnation, Lily, Lily, Rose.

Tate Etc

One giant artistic leap for mankind: Document: Thomas Harriot

William R. Shea

One Giant Artistic Leap For Mankind: William R. Shea on Thomas Harriot in TATE ETC. magazine
Tate Etc

The men-women of the Pacific: Paul Gauguin II

Mario Vargas Llosa

During the research for his novel The Way to Paradise, which interweaves the life of Gauguin with that of …

Tate Etc

Jolly containers for a perpetual present: Architecture

Owen Hatherley

Recent urban regeneration projects, both in the UK and abroad, have often combined the building of shopping centres and apartments …

Tate Etc

Hello from ‘Sleepy’: Document: Mondrian in London

Simon Grant1

The Dutch painter Piet Mondrian (1872–1944) is regarded as one of the most important artists of the twentieth century. His …

Tate Etc

To each his own paradise: Paul Gauguin III

Brooks Adams and Lisa Liebmann

To coincide with the Paul Gauguin exhibition, Lisa Liebmann and her husband pen a very personal interpretation of what the …

Tate Etc

Cornwall inside out: Peter Lanyon

Toby Treves

He was the only native-born Cornishman of the post-war St Ives group of artists, and his work reflected the local …

Tate Etc

Big Mac guilt: Behind the curtain

Joe Dunthorne

On his first visit to the Tate archive, the London-based writer Joe Dunthorne finds a Christmas card from Grayson Perry …

Tate Etc

The artist as activist: Ai Weiwei

Carol Yinghua Lu

The Chinese artist has become one of the most important cultural commentators of his generation. On the eve of the …

Tate Etc

The art of writing with people: Art and dance

Catherine Wood

The practice of choreographed movement has never been merely about decorative spectacle, but as artists and performers have shown throughout …

Tate Etc

‘And now what, if my sacrifice was in vain?’: Paul Gaugin I

Nancy Ireson

Before his self-imposed exhile in Tahiti, the pioneer of modernism spent his formative years in Brittany, northern France. Here, he …

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