Showing 421¨C440 of 1,229 results for summer
Via della Fontanella 4: John Gibson¡¯s Workshop in Rome
The studio of John Gibson was one of the largest workshops in Rome during the artist¡¯s lifetime, serving as both ¡
Five Young Writers Respond to the Climate Emergency
The runners-up in the first Tate Etc. writing prize for É«¿Ø´«Ã½ members share their responses to artworks by Simryn ¡
Figure and Landscape: Barbara Hepworth¡¯s Phenomenology of Perception
Barbara Hepworth¡¯s development of the figure in landscape theme to which she turned increasingly after moving to St Ives in ¡
David Musgrave: Faulty Images
This paper takes as its starting point two drawings by David Musgrave in °Õ²¹³Ù±ð¡¯²õ collection, Plane with inverted figure 2007 ¡
Yu Hong Ó÷ºì
Graduate of the Central Academy of Fine Arts in 1988, Yu Hong (born 1966) is one of the most representative ¡
Five Things to Know: Joan Jonas
Meet the artist still pushing the boundaries of video and performance after five decades
Temple of mysteries: Mark Rothko
John Banville writes a personal appreciation of Rothko after a visit to É«¿Ø´«Ã½¡¯s Rothko?Room.
¡®Truth of Character from Truth of Feeling¡¯: William Hazlitt, ¡®Gusto¡¯ and the Linguistic History of Writing on Art
Adapting and applying speech act theories of language use, this paper offers a new understanding of the innovative import of ¡
Ladies and Gentlemen
Meet the people who posed for Andy Warhol¡¯s portrait series of trans women and drag queens
'Despite all my rage, / I'm still just a rat in a cage!'
Cages, cells and small rooms ¨C discover how the notion of the contained space has been used to great effect ¡
Occupations / Heroic Symbols
Tate In Focus research project exploring Heroic Symbols 1969 by Anselm Kiefer, authored by Christian Weikop
Soul of a Nation: Artists¡¯ Voices
Artists in the exhibition Soul of a Nation: Art in the Age of Black Power talk about their work
Olafur Eliasson: In Real Life
Find out more about our exhibition at É«¿Ø´«Ã½
Tate Britain visual story
A step-by-step visual and written guide to help you plan your visit
Landscape Management
Tate Research In Focus project on John Constable's Salisbury Cathedral from the Meadows 1831
Explore Constable's places
In a letter to his close friend John Fisher, Constable said ¡®I should paint my own places best¡¯. Discover John ¡
'To drag the past into the present and re-animate it'
What is it like to sit for Frank Auerback every week for more than 30 years? Tate curator, Catherine Lampert, ¡
The Model of Vladimir Tatlin¡¯s Monument to the Third International: Reconstruction as an Instrument of Research and States of Knowledge
Nathalie Leleu, The Model of Vladimir Tatlin¡¯s Monument to the Third International: Reconstruction as an Instrument of Research and States ¡