Showing 441–460 of 845 results for winter
Dora Maar
Find out more about our exhibition at É«¿Ø´«Ã½
Egon Schiele: Crazier Than I Look?
Egon Schiele's self-portraits have often been regarded as the works of a tortured, introspective artist, but this notion blinds us …
We are here: Photographing Britain
To coincide with Tate Britain’s photographic survey of Britain’s social history, Tate Etc. asked a selection of writers, curators and …
School visits to Tate Britain
Explore art and ideas to take ownership of the gallery
The C C Land Exhibition: Pierre Bonnard: The Colour of Memory
Explore the exhibition at É«¿Ø´«Ã½ room by room
Red Star Over Russia: A revolution in visual culture 1905–55
2017 marks the centenary of the October Revolution. This exhibition explores the visual culture that emerged in its wake
Surrealism, but Not as You Know It
While many stories of surrealism have focused on Paris in the 1920s, the revolutionary movement inspired and united artists around …
Perspective Coursework Guide
From vanishing points to points of view, explore perspective in art
Extraordinary scenes of beautifully arranged horrible wilderness: British Orientalist Painting
As Tate Britain mounts an exhibition of work by nineteenth-century Western artists who travelled east, Briony Llewellyn delves into the …
Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars
Examining landscape imagery produced after the third Anglo-Mysore War (1789–92), Rosie Dias argues that these works oscillated between memorialisation, personal …
Why Performance in Authoritarian Korea?
In this article Joan Kee asks what motivated artists in South Korea to turn to performance in the late 1960s …
Surface and Style: Family Jules and 1970s Aesthetics
The school of life: Education
From the 1960s there has been a series of radical organisations aiming to revolutionise educational practice, including Joseph Beuys’s Free …
All Systems Go: Recovering Jack Burnham’s ‘Systems Aesthetics’
Jack Burnham’s systems aesthetics was one of the first, fully developed, critical theories of postformalist artistic practice. Yet Burnham, undeservedly, …
A world on the verge of collapse: Anthony van Dyck
In 1635 van Dyck painted his largest and most ambitious work, Philip Herbert, 4th Earl of Pembroke, and his Family. …
Abstraction sans frontières: International Exchanges: Modern Art and St Ives 1915-65
The show at Tate St Ives this summer explores the international context which shaped the work of artists in the …
Elvira, Dressed and Undressed: A Comparative Study of Two Portraits by Amedeo Modigliani
In this article, a comparison of Amedeo Modigliani’s portraits Elvira Resting at a Table 1918–19 and Standing Nude (Elvira) 1918 …
Man Ray laid bare
It's 1929 and avant-garde magazine Varits has a cash crisis. To the rescue, Man Ray and his muse, Kiki de …
The Archival Trail: Paul Nash the war artist
Imperial War Museum curator Alexandra Walton explores the rich collections of letters, documents and photographs found in the IWM and …