Showing 541–560 of 3,388 results
Where do art and migration meet?
What does art have to say about migration and belonging? Step into the shoes of artists, migrants, and makers as …
Can art change society?
Can art influence the way we think and act as individuals, and as a society? How do artists make and …
What does it mean to be a woman in art?
With shifting political landscapes and women's marches happening around the world, how are women artists addressing their rights and identities, …
Inside Giacometti's studio
Enter Giacometti's world through the photographs of Ernst Scheidegger
Eight things to know: Alberto Giacometti
Explore the life and work of this celebrated sculptor and painter
David Hockney’s Early Etchings: Going Transatlantic and Being British
David Hockney’s early autobiographical prints, My Bonnie Lies Over the Ocean 1961 and the series A Rake’s Progress 1961–3, are …
Acknowledgements
One-Shot Painting
Greenberg’s Taste
The Painting
William Stott’s 'Le Passeur' (The Ferryman) 1881
Explore William Stott’s enigmatic painting Le Passeur (The Ferryman) 1881. Investigate its hidden symbolism and find out how …
‘A Wistful Dream of Far-Off Californian Glamour’: David Sylvester and the British View of American Art
David Sylvester’s criticism from the 1950s and 1960s combined enthusiasm for the vitality of new American art with ambivalence about …
Between America and the Borders: William Johnstone’s Landscape Painting
Scottish artist William Johnstone lived and worked in America for periods in the 1920s and 1940s, encountering a very different …
Joseph Pennell and the Anglo-American Construction of New York
American printmaker Joseph Pennell’s iconic New York imagery is the focus of this article, including an exploration of his efforts …
Emerson’s Evolution
British photographer Peter Henry Emerson’s dramatic recantation of his beliefs about photography and art forms a canonical yet perplexing episode …
‘Marx on the Wall’: Muralism and Anglo-American Exchange during the 1930s
This article explores English artists’ support for socially engaged public mural painting during the 1930s in relation to international developments, …
Locating Cosmopolitanism within a Trans-Atlantic Interpretive Frame: Critical Evaluation of Sargent’s Portraits and Figure Studies in Britain and the United States c.1886–1926
This article examines how John Singer Sargent’s American nationality, his Anglo-American expatriate experience and his works’ cosmopolitanism coloured the views …