Showing 601¨C620 of 672 results for autumn
Leigh Bowery!
To celebrate the new exhibition coming to É«¿Ø´«Ã½, Leigh Bowery's friends and collaborators share their memories of the artist ¡
John Constable and Paul Huet: Marsh and Flood
This paper revisits a familiar episode in accounts of John Constable¡¯s career ¨C his reception and legacy in France. Paul ¡
Forgotten Faces
Forgotten Faces comprises seventeen portraits or figure paintings and three sculptures ranging between 1896 ¨C a year before the foundation ¡
The Grid as a Checkpoint of Modernity
In Western art history the grid has been positioned as an emblem of modernism. In Russia, however, early constructivist artists ¡
Andy Warhol
Watch the curator's tour and explore the exhibition room by room
Between Text and Image in Kandinsky¡¯s Oeuvre: A Consideration of the Album Sounds
Focusing on the album of poetry and woodcuts called Sounds (Kl?nge), published c.1912, this paper examines how Kandinsky ¡
The Aesthetics of Collaboration: Complicity and Conversion at MIT¡¯s Center for Advanced Visual Studies
This essay uses new archival sources to reconstruct the aesthetics ¨C and ethics ¨C of collaboration at Gyorgy Kepes¡¯s Center ¡
The Painting
Tate Research In Focus project on Vanessa Bell's Abstract Painting 1914
Art During War
Tate In Focus research project exploring Parts of the Face: French Vocabulary Lesson 1961 by Larry Rivers
Unconcealment: Landmark Exhibitions Issue
Sophie Richard¡¯s analysis, published posthumously in 2009, of the role played by the networks of artists, dealers, museum curators, collectors ¡
Rivane Neuenschwander: The Name of Fear: Sofia Victorino
This paper discusses a collaboration between Brazilian artist Rivane Neuenschwander and four primary schools in London. It addresses the challenges ¡
Negative Process
James Nisbet on Salt Flat 1968 by Dennis Oppenheim | part of a Tate In Focus study
The Printed Collage
The Printed Collage, part of an In Focus research project on String Composition 128 1964 by Sue Fuller, authored by ¡
Archiving the Uncollectable: Museum Education and Memory Loss
Memory loss, struggles in communicating our work, changes in mood, apathy, confusion, difficulty in building our own storyline, a failing ¡
Hu Xiaoyuan ºúÏþæÂ
Hu Xiaoyuan (born 1977) employs a variety of media within her works, including video, performance and installations. She uses mixed ¡
The Painting
Tate Research In Focus project study on Silo 1963¨C4 by James Rosenquist
Adrian Stokes¡¯s Psychoanalysis and Carving Aesthetic
Stokes¡¯s writings are used in this essay to highlight factors in his psychoanalysis that may have contributed to his carving ¡
My Gorky: Arshile Gorky
The influential Armenian-born American painter Arshile Gorky (1904¨C1948) was described as the last of the great Surrealists, the first of ¡