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Showing 661–680 of 1,229 results for summer

Behind The Scenes

Archives & Access project: the Archive Gallery – from digital to life and back again: Transforming Tate Britain

Adrian Glew

A blog post on the Archive Gallery at Tate Britain as part of the Archives & Access project
Tate Etc

Hélio and I: Hélio Oiticica in London

Caetano Veloso

Hélio Oiticica’s The Body of Colour comes to É«¿Ø´«Ã½ in June. Brazilian arts flourished in the 1950s, originating with …

Tate Etc

‘I loved the bugs, they were gross.’ Ruby, age 9: Turner Prize

Martin Herbert

On a yearly basis it provokes passionate debate on the state of contemporary British art, and it has inspired other …

Tate Etc

The artist and the Emperor: J.M.W. Turner

Katharina Fritsch

During a visit to Tate Britain, Katharina Fritsch finds herself ‘sucked into’ the allure and eccentric character of J.M.W. Turner’s …

Tate Etc

New Voices: Speaking in Half-Whispers

Emily LaBarge

Getting under the skin of Dorothea Tanning's enigmatic painting, A Mi-Voix 1958

Tate Etc

Full Power

Before Bankside Power Station became É«¿Ø´«Ã½, a group of artists used the site to launch an explosive performance, writes …

Tate Papers

Blurring the Boundaries between Art and Life (in the Museum?)

Anna Dezeuze

Anna Dezeuze, Blurring the Boundaries between Art and Life (in the Museum?); Tate Papers no.8
Tate Papers

Gothic Romance and the Quixotic Hero:A Pageant for Henry Fuseli in 1783

Martin Myrone

Henry Fuseli (1741–1825) was one of the most inventive artists of his age, exploring the strange and fantastic in a …

Tate Etc

Fun, exotic and very modern: Patrick Caulfield at Tate Britain I

Clarrie Wallis

He preferred to be seen as an artist within the great European tradition of Juan Gris and Georges Braque, while …

Tate Etc

Telling Tales

Zoe Pilger

Since the 1950s, Paula Rego has been making paintings, collages, pastels, drawings, etchings and sculptures that have fought censorship, revolutionised …

Tate Papers

Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity

Sam Smiles

The artistic representation of British antiquity brings in its wake a problem of methodology: how are the working assumptions of …

Tate Papers

‘No Continuing City’: John Constable, John Britton and Views of Urban History

Stephen Daniels

This article explores the place of urban subjects in works by the nineteenth-century artist John Constable, who is generally known …

Tate Papers

The Fall of Anarchy : Politics and Anatomy in an Enigmatic Painting by J.M.W. Turner

Sam Smiles

The subject of Turner’s mysterious unfinished painting, known today as Death on a Pale Horse, is a problem that …

Tate Etc

Of redemption and damnation: Mark Rothko I

Carter Ratcliff

Rothko believed he was "producing an art that would last for 1,000 years". It was a sentiment that was in …

Archives& Access Toolkit

Designing an archive digitisation project

From planning to delivery and all that's in between

In Focus

Rothenstein in France

Samuel Shaw

Tate In Focus project exploring The Doll’s House 1899–1900 by William Rothenstein
Tate Etc

‘And now what, if my sacrifice was in vain?’: Paul Gaugin I

Nancy Ireson

Before his self-imposed exhile in Tahiti, the pioneer of modernism spent his formative years in Brittany, northern France. Here, he …

In Focus

California in Catastrophe

Andrew Witt

Tate Research In Focus project on Evidence 1977 by Larry Sultan and Mike Mandel
Tate Papers

The Modern Cult of Replicas: A Rieglian Analysis of Values in Replication

Sebastiano Barassi

Sebastiano Barassi, The Modern Cult of Replicas: A Rieglian Analysis of Values in Replication; Tate Papers no.8, featuring the conservation …

Realising the Potential of Artist-Child Learning Encounters at ArtPlay

Neryl Jeanneret, Robert Brown and Simon Spain

The City of Melbourne’s ArtPlay is open to children aged three to thirteen years and provides a wide range of …

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