Showing 661–680 of 1,229 results for summer
Archives & Access project: the Archive Gallery – from digital to life and back again: Transforming Tate Britain
Hélio and I: Hélio Oiticica in London
Hélio Oiticica’s The Body of Colour comes to É«¿Ø´«Ã½ in June. Brazilian arts flourished in the 1950s, originating with …
‘I loved the bugs, they were gross.’ Ruby, age 9: Turner Prize
On a yearly basis it provokes passionate debate on the state of contemporary British art, and it has inspired other …
The artist and the Emperor: J.M.W. Turner
During a visit to Tate Britain, Katharina Fritsch finds herself ‘sucked into’ the allure and eccentric character of J.M.W. Turner’s …
New Voices: Speaking in Half-Whispers
Getting under the skin of Dorothea Tanning's enigmatic painting, A Mi-Voix 1958
Full Power
Before Bankside Power Station became É«¿Ø´«Ã½, a group of artists used the site to launch an explosive performance, writes …
Blurring the Boundaries between Art and Life (in the Museum?)
Gothic Romance and the Quixotic Hero:A Pageant for Henry Fuseli in 1783
Henry Fuseli (1741–1825) was one of the most inventive artists of his age, exploring the strange and fantastic in a …
Fun, exotic and very modern: Patrick Caulfield at Tate Britain I
He preferred to be seen as an artist within the great European tradition of Juan Gris and Georges Braque, while …
Telling Tales
Since the 1950s, Paula Rego has been making paintings, collages, pastels, drawings, etchings and sculptures that have fought censorship, revolutionised …
Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity
The artistic representation of British antiquity brings in its wake a problem of methodology: how are the working assumptions of …
‘No Continuing City’: John Constable, John Britton and Views of Urban History
This article explores the place of urban subjects in works by the nineteenth-century artist John Constable, who is generally known …
The Fall of Anarchy : Politics and Anatomy in an Enigmatic Painting by J.M.W. Turner
The subject of Turner’s mysterious unfinished painting, known today as Death on a Pale Horse, is a problem that …
Of redemption and damnation: Mark Rothko I
Rothko believed he was "producing an art that would last for 1,000 years". It was a sentiment that was in …
Designing an archive digitisation project
From planning to delivery and all that's in between
Rothenstein in France
‘And now what, if my sacrifice was in vain?’: Paul Gaugin I
Before his self-imposed exhile in Tahiti, the pioneer of modernism spent his formative years in Brittany, northern France. Here, he …
California in Catastrophe
The Modern Cult of Replicas: A Rieglian Analysis of Values in Replication
Realising the Potential of Artist-Child Learning Encounters at ArtPlay
The City of Melbourne’s ArtPlay is open to children aged three to thirteen years and provides a wide range of …