Showing 741–760 of 3,388 results
Archives & Access: Learning outreach and volunteering programmes
Using the Tate Archive as a tool for learning and engagement
The Painting
Anna Arabindan-Kesson analyses Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks through a range of aesthetic discourses …
Iconic Portraits: Revising the Canon
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
Surface and Style: Family Jules and 1970s Aesthetics
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
Photography into Paint
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
Performing the Self in Family Jules
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
Barkley L. Hendricks Today
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
Acknowledgements
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
Designing an archive digitisation project
From planning to delivery and all that's in between
Publishing archive collections online
Supporting the discovery of digitised archive collections through online engagement
Rachel Whiteread: The Gran Boathouse
To coincide with her exhibition at Tate Britain, Tate Etc. visited one of Rachel Whiteread's lesser known public sculptures in …
Rachel Whiteread
Find out more about our exhibition at Tate Britain
Jonas Mekas: Always Beginning
A Lithuanian American filmmaker, poet and artist who has often been called "the godfather of American avant-garde cinema”
'I find London lovelier to paint each day': Claude Monet in London
While Monet worked on multiple oil sketches of the Houses of Parliament from a covered terrace at St Thomas's Hospital, …
How to Cast like Rachel Whiteread
Ever wondered how casting works? Find out how with our step-by-step
Exploring Le Passeur
Curator Alison Smith discusses Le Passeur (The Ferryman) by British painter William Stott of Oldham
Supporting learning and participation with archives
Reflecting on the role of outreach and reaching widened audiences
Funding and managing an archive digitisation project
Making a case for support and assembling a project team
Unsung Heroes: Alberto Greco
One artist remembers their friend, the founder of Vivo-Dito art
