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  • All(3,669)
  • Artist(69)
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Showing 761¨C780 of 845 results for winter

Tate Etc

Damien Hirst at É«¿Ø´«Ã½: The artist in conversation

Michael Bracewell

Since he was a young teenager, Damien Hirst has enjoyed visiting Tate. From his early fascination with William Blake to ¡­

Tate Papers

¡®Suffer a Sea-Change¡¯: Turner, Painting, Drowning

Sarah Monks

This paper reflects upon the implications of J.M.W. Turner¡¯s close and varied attention to the depiction of sea-water. In particular, ¡­

Tate Papers

The Military-Pastoral Complex: Contemporary Representations of Militarism in the Landscape: Art & Environment

Matthew Flintham

Examining works of contemporary art that have engaged with militarised landscapes, Matthew Flintham reflects on the ruination of outmoded military ¡­

Tate Papers

Lines of Sight: Alfred Watkins, Photography and Topography in Early Twentieth-Century Britain

Stephen Daniels

Alfred Watkins (1855¨C1935) originated the idea of ley-lines and surveyed alignments which articulated the prehistoric landscape of Britain, in his ¡­

Tate Papers

Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830

Douglas Congdon-Martin

When John Constable¡¯s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of ¡­

Exhibition Guide

Aliza Nisenbaum

Read more about the Tate Liverpool exhibition and the artist's sitters

Tate Papers

To the Ends of the Earth: Art and Environment: Art & Environment

Nicholas Alfrey, Stephen Daniels and Joy Sleeman

Introducing the group of articles devoted to the theme of ¡®Art & Environment¡¯ in?Tate Papers?no.17,?this essay reflects ¡­

Tate Papers

Milton, Lucy Hutchinson, and the Lucretian Sublime: The Sublime Object

David Norbrook

³¢³Ü³¦°ù±ð³Ù¾±³Ü²õ¡¯²õ De rerum natura is a neglected source for the emergence of the theory and practice of the sublime in ¡­

Read

Hu Xiaoyuan ºúÏþæÂ

Hu Xiaoyuan (born 1977) employs a variety of media within her works, including video, performance and installations. She uses mixed ¡­

In Focus

Finding Salt Flat

John R. Blakinger

John Blakinger on the site and location of Salt Flat 1968 by Dennis Oppenheim | part of a Tate In ¡­
Tate Papers

°Õ²¹³Ù±ð¡¯²õ Painting of a Man in Tudor Costume: A Sixteenth-Century Portrait or a Nineteenth-Century Pastiche?

Natasha Walker, Karen Hearn and Joyce H. Townsend

Comprising technical and art historical analyses, this paper investigates the subject, date and status of a three-quarter-length portrait on a ¡­

Podcast

The Art of Protest

How do art and protest meet? We explore acts of defiance with artists, poets and activists

Tate Papers

Panel Discussion: Holding Collections: Archiving as Dreamkeeping

Ellie Porter, Eddie Bruce-Jones, Tao Leigh Goffe, Thai Jones and Christine Eyene

The panelists discuss what it means to be responsible for the preservation and accessibility of collections.

In Focus

Adam and Newman¡¯s Beginnings

Michael Leja

In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and ¡­
In Focus

Exposing Creation: Portraits of Newman and His Paintings

Michael Schreyach

In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and ¡­
In Focus

Performing the Self in Family Jules

Anna Arabindan-Kesson

Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
In Focus

The Deluge and a New Theology of Suffering

Maggi Dawn

Tate Research In Focus project on The Deluge 1920 by Winifred Knights
Tate Papers

Art World, Network and Other Alloway Keywords

Courtney J. Martin

The British critic Lawrence Alloway (1926¨C1990) generated a new vocabulary for American art of the 1960s and 1970s. This paper ¡­

Tate Papers

Art of Interaction: A Theoretical Examination of Carsten H?ller¡¯s Test Site

Mark Windsor

This paper looks at the interactivity of Carsten H?ller¡¯s Test Site 2006, using Alfred Gell¡¯s Art and Agency (1998) and ¡­

Tate Papers

A Pantagruelian Pop: Teresinha Soares¡¯s ¡®Erotic Art of Contestation¡¯

Sofia Gotti

This article provides an overview of the work produced by Brazilian artist Teresinha Soares in the late 1960s and early ¡­

Artwork
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