Showing 761¨C780 of 845 results for winter
Damien Hirst at É«¿Ø´«Ã½: The artist in conversation
Since he was a young teenager, Damien Hirst has enjoyed visiting Tate. From his early fascination with William Blake to ¡
¡®Suffer a Sea-Change¡¯: Turner, Painting, Drowning
This paper reflects upon the implications of J.M.W. Turner¡¯s close and varied attention to the depiction of sea-water. In particular, ¡
The Military-Pastoral Complex: Contemporary Representations of Militarism in the Landscape: Art & Environment
Examining works of contemporary art that have engaged with militarised landscapes, Matthew Flintham reflects on the ruination of outmoded military ¡
Lines of Sight: Alfred Watkins, Photography and Topography in Early Twentieth-Century Britain
Alfred Watkins (1855¨C1935) originated the idea of ley-lines and surveyed alignments which articulated the prehistoric landscape of Britain, in his ¡
Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830
When John Constable¡¯s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of ¡
Aliza Nisenbaum
Read more about the Tate Liverpool exhibition and the artist's sitters
To the Ends of the Earth: Art and Environment: Art & Environment
Introducing the group of articles devoted to the theme of ¡®Art & Environment¡¯ in?Tate Papers?no.17,?this essay reflects ¡
Milton, Lucy Hutchinson, and the Lucretian Sublime: The Sublime Object
³¢³Ü³¦°ù±ð³Ù¾±³Ü²õ¡¯²õ De rerum natura is a neglected source for the emergence of the theory and practice of the sublime in ¡
Hu Xiaoyuan ºúÏþæÂ
Hu Xiaoyuan (born 1977) employs a variety of media within her works, including video, performance and installations. She uses mixed ¡
Finding Salt Flat
John Blakinger on the site and location of Salt Flat 1968 by Dennis Oppenheim | part of a Tate In ¡
°Õ²¹³Ù±ð¡¯²õ Painting of a Man in Tudor Costume: A Sixteenth-Century Portrait or a Nineteenth-Century Pastiche?
Comprising technical and art historical analyses, this paper investigates the subject, date and status of a three-quarter-length portrait on a ¡
The Art of Protest
How do art and protest meet? We explore acts of defiance with artists, poets and activists
Panel Discussion: Holding Collections: Archiving as Dreamkeeping
The panelists discuss what it means to be responsible for the preservation and accessibility of collections.
Adam and Newman¡¯s Beginnings
In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and ¡
Exposing Creation: Portraits of Newman and His Paintings
In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and ¡
Performing the Self in Family Jules
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
The Deluge and a New Theology of Suffering
Tate Research In Focus project on The Deluge 1920 by Winifred Knights
Art World, Network and Other Alloway Keywords
The British critic Lawrence Alloway (1926¨C1990) generated a new vocabulary for American art of the 1960s and 1970s. This paper ¡
Art of Interaction: A Theoretical Examination of Carsten H?ller¡¯s Test Site
This paper looks at the interactivity of Carsten H?ller¡¯s Test Site 2006, using Alfred Gell¡¯s Art and Agency (1998) and ¡
A Pantagruelian Pop: Teresinha Soares¡¯s ¡®Erotic Art of Contestation¡¯
This article provides an overview of the work produced by Brazilian artist Teresinha Soares in the late 1960s and early ¡