Showing 781¨C800 of 864 results for winter
Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830
When John Constable¡¯s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of ¡
Aliza Nisenbaum
Read more about the Tate Liverpool exhibition and the artist's sitters
To the Ends of the Earth: Art and Environment: Art & Environment
Introducing the group of articles devoted to the theme of ¡®Art & Environment¡¯ in?Tate Papers?no.17,?this essay reflects ¡
Milton, Lucy Hutchinson, and the Lucretian Sublime: The Sublime Object
³¢³Ü³¦°ù±ð³Ù¾±³Ü²õ¡¯²õ De rerum natura is a neglected source for the emergence of the theory and practice of the sublime in ¡
Hu Xiaoyuan ºúÏþæÂ
Hu Xiaoyuan (born 1977) employs a variety of media within her works, including video, performance and installations. She uses mixed ¡
Finding Salt Flat
John Blakinger on the site and location of Salt Flat 1968 by Dennis Oppenheim | part of a Tate In ¡
°Õ²¹³Ù±ð¡¯²õ Painting of a Man in Tudor Costume: A Sixteenth-Century Portrait or a Nineteenth-Century Pastiche?
Comprising technical and art historical analyses, this paper investigates the subject, date and status of a three-quarter-length portrait on a ¡
The Art of Protest
How do art and protest meet? We explore acts of defiance with artists, poets and activists
Panel Discussion: Holding Collections: Archiving as Dreamkeeping
The panelists discuss what it means to be responsible for the preservation and accessibility of collections.
Adam and Newman¡¯s Beginnings
In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and ¡
Exposing Creation: Portraits of Newman and His Paintings
In Focus project on Adam (1951, 1952) by Barnett Newman, authored by Michael Schreyach with contributions by Michael Leja and ¡
Performing the Self in Family Jules
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
The Deluge and a New Theology of Suffering
Tate Research In Focus project on The Deluge 1920 by Winifred Knights
Art World, Network and Other Alloway Keywords
The British critic Lawrence Alloway (1926¨C1990) generated a new vocabulary for American art of the 1960s and 1970s. This paper ¡
Art of Interaction: A Theoretical Examination of Carsten H?ller¡¯s Test Site
This paper looks at the interactivity of Carsten H?ller¡¯s Test Site 2006, using Alfred Gell¡¯s Art and Agency (1998) and ¡
A Pantagruelian Pop: Teresinha Soares¡¯s ¡®Erotic Art of Contestation¡¯
This article provides an overview of the work produced by Brazilian artist Teresinha Soares in the late 1960s and early ¡
¡®Everything Was Getting Smashed¡¯: Three Case Studies of Play and Participation, 1965¨C71
In this essay Hilary Floe considers instances of chaotic ¡®over-participation¡¯ in three art exhibitions that took place between 1965 and ¡
The Promises of Learning on Our Own Time (and In Our Own Way)
The conference in which this paper was delivered took place in London just as the 2012 Olympics and Paralympics ended. ¡
Sargent and Fashion: Audio
Listen to personal responses to artworks featured in the Tate Britain exhibition Sargent and Fashion
Electric Dreams: Art and Technology Before the Internet
Find out more about our exhibition at É«¿Ø´«Ã½