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  • All(3,669)
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Showing 821–840 of 864 results for winter

In Focus

Iconic Portraits: Revising the Canon

Anna Arabindan-Kesson

Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
Tate Papers

On the Evolution of a Peer-led Programmme: Tate Forum

Rebecca Sinker

This paper reflects on the development of Tate Forum, Tate Britain’s peer-led youth group (established 2002), drawing on interviews with …

Tate Papers

‘Remembering Exhibitions’: From Point to Line to Web: Landmark Exhibitions Issue

Reesa Greenberg

The author discusses the proliferation of the new genre of ‘remembering exhibitions’ as part of the recent interest in the …

Tate Papers

Listening for the Sublime: Aural-Visual Improvisations in Nineteenth-Century Musical Art

Charlotte Purkis

Music’s capacity to expose the contradictions which emerged within late nineteenth-century understandings of the sublime is explored in relation to …

Tate Papers

Representation and Reputation: Barbara Hepworth’s Relationships with her American and British Dealers

Emma Roberts

After the Second World War Barbara Hepworth sought to raise her profile in America, but her attempts to do so …

Tate Papers

Zen as a Transnational Current in Post-War Art: The Case of Mira Schendel

Majella Munro

In this paper Majella Munro proposes that Zen can be applied as a transnational intellectual framework for the analysis of …

In Focus

Sam Francis and Painting in Paris

Natalie Adamson

In Focus

Hatchings: Technique as Motif

Seth McCormick

Tate Research In Focus project on Dancers on a Plane 1980–1 by Jasper Johns
Tate Papers

Dust and Doubt: The Deserts and Galaxies of Vija Celmins

Stephanie Straine

This article considers one work on paper by Vija Celmins in the ARTIST ROOMS collection: Untitled (Desert–Galaxy) 1974. In a …

Tate Papers

‘A Wistful Dream of Far-Off Californian Glamour’: David Sylvester and the British View of American Art

James Finch

David Sylvester’s criticism from the 1950s and 1960s combined enthusiasm for the vitality of new American art with ambivalence about …

Tate Papers

The Great Reason of the Body: Friedrich Nietzsche, Joseph Beuys and the Art of Giving Meaning to Matter and Earth

Kirsten Voigt

This paper explores how Joseph Beuys interpreted philosopher Friedrich Nietzsche’s concepts of the ‘Great Reason of the Body’ and the …

Tate Papers

Afterthoughts: Introduction

Matthew Gale

Matthew Gale , Afterthoughts: Introduction; Tate Papers no.8
Tate Papers

Becoming Machine: Surrealist Automatism and Some Contemporary Instances: Involuntary Drawing

David Lomas

Examining the idea of being ‘machine-like’ and its impact on the practice of automatic writing, this article charts a history …

Tate Papers

Barbara Hepworth and Gimpel Fils: The Rise and Fall of an Artist-Dealer Relationship

Alice Correia

Records held in the Gimpel Fils Gallery Archive in London shed new light on Barbara Hepworth’s relationship with her dealers, …

Tate Papers

No End to the End: The Desert as Eschatology in Late Modernity

Matilde Nardelli

At the height of the Cold War, artists, writers and filmmakers in America turned to the desert as a space …

Tate Papers

Portrait of a Doctor c.1935–1947, by Francis Picabia

Annette King, Joyce H. Townsend and Bronwyn Ormsby

Portrait of a Doctor is actually two paintings: one was painted on top of the other at a later date. …

Tate Papers

‘Truth of Character from Truth of Feeling’: William Hazlitt, ‘Gusto’ and the Linguistic History of Writing on Art

Paul Tucker

Adapting and applying speech act theories of language use, this paper offers a new understanding of the innovative import of …

Tate Papers

Artist Versus Teacher: The Problem of David Bomberg’s Pedagogical Legacy

Kate Aspinall

The British artist David Bomberg’s parallel activities of teaching and painting during his later career are often treated as oppositional. …

Tate Papers

Beuys’s Legacy in Artist-led University Projects

Christa-Maria Lerm Hayes

Joseph Beuys’s Free International University for Creativity and Interdisciplinary Research (FIU), established in the early 1970s, stands at the beginning …

Tate Papers

To Be Continued: Periodic Exhibitions ( dOCUMENTA , for Example): Landmark Exhibitions Issue

Walter Grasskamp

In this paper the author reflects on the early history of the dOCUMENTA exhibitions held every five years in Kassel, …

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