Showing 861–880 of 3,388 results
Cy Twombly at É«¿Ø´«Ã½
Behind the scenes tour of the Cy Twombly's 2008 exhibition at É«¿Ø´«Ã½
Daido Moriyama: Printing Show
A recreation of Daido Moriyama's 1974 performance of the same name
Damien Hirst on Francis Bacon
When Damien was a kid, he says: 'All my paintings were like bad Bacons'
David Batchelor: Studio visit
We joined the Scottish artist in his studio to ask him about Spectrum of Brick Lane 2007
Walks of Art: Bonnie Greer on Virginia Woolf and the Bloomsbury Group
The writer and critic explores the friendships, work and designs behind this radical set of artists
The short life of the equal woman: by Christina Kiaer
Remembering the work of Russian female artists under Stalin in the 1930s
Private View: Stay as you are, Mrs Blake
William Blake's simple pencil drawing of his (long-suffering) wife Catherine reveals the tenderness in their relationship
David Salle: 'Good painting has immediate impact'
'A good painting', says the American artist, 'has immediate impact, but rewards a longer viewing time'.
Deimantas Narkevicius: From one political formation to another
We visit the Lithuanian artist's studio in Vilnius
Derek Jarman and Super-8
A rare look into the artist's experimental Super-8 films
Dia Al-Azzawi: Studio visit
We visit the London studio of one of Iraq's most influential living artists
Doris Salcedo: Shibboleth
The Colombian artist discusses why she cracked the turbine hall floor
Acknowledgements
In Focus study by John Blakinger, James Nisbet and Randall Edwards on Salt Flat 1968 by Dennis Oppenheim | published …
Seeing Salt Flat
John R. Blakinger explores Salt Flat 1968 by Dennis Oppenheim | part of a Tate In Focus study
Finding Salt Flat
John Blakinger on the site and location of Salt Flat 1968 by Dennis Oppenheim | part of a Tate In …
Ritual Aesthetics: Salt Flat and Systems
John Blakinger on ‘ritual aesthetics’ and Salt Flat 1968 by Dennis Oppenheim | part of a Tate In Focus study
Negative Process
James Nisbet on Salt Flat 1968 by Dennis Oppenheim | part of a Tate In Focus study
Dirty Earth
Salt Flat as example of Oppenheim’s ‘transplants’, and the work’s relationship to the land | by Randall Edwards | In …
Dorothy Cross: Studio visit
The Irish artist often uses the remains of dead animals or other found natural materials in her sculptures