Showing 101–109 of 109 results for francis bacon
°Õ²¹³Ù±ð’s Painting of a Man in Tudor Costume: A Sixteenth-Century Portrait or a Nineteenth-Century Pastiche?
Comprising technical and art historical analyses, this paper investigates the subject, date and status of a three-quarter-length portrait on a …
Representation and Reputation: Barbara Hepworth’s Relationships with her American and British Dealers
After the Second World War Barbara Hepworth sought to raise her profile in America, but her attempts to do so …
David Hockney’s Early Etchings: Going Transatlantic and Being British
David Hockney’s early autobiographical prints, My Bonnie Lies Over the Ocean 1961 and the series A Rake’s Progress 1961–3, are …
Iconic Portraits: Revising the Canon
Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
‘New Ways of Modern Bohemia’: Edward Burra in London, Paris, Marseilles and Harlem: Rothenstein Lecture
Paying close attention to Edward Burra’s letters, scrapbooks and other archival material, Andrew Stephenson reveals the impact that the cosmopolitan …
Artist Versus Teacher: The Problem of David Bomberg’s Pedagogical Legacy
The British artist David Bomberg’s parallel activities of teaching and painting during his later career are often treated as oppositional. …
Lessons Learned: Landmark Exhibitions Issue
The artist Hans Haacke presents a career overview of his involvement with recurring exhibitions, from documenta 2 (1959) via the …
Lazy Objects: Viewing Mladen Stilinović’s Exploitation of the Dead
Mladen Stilinović’s artwork Exploitation of the Dead 1984–90 comprises a huge group of objects concerned with the history of the …
Dialogue, Encounter, Exchange: Joseph Beuys’s Visual and Textual Presence in Art into Society – Society into Art (1974)
Joseph Beuys’s participation in the influential exhibition Art into Society – Society into Art: Seven German Artists, held in …