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Showing 1,561–1,580 of 1,592 results

 
 
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Michael Symmons Roberts on L.S. Lowry's The Pond

Poet Michael Symmons-Roberts talks about the scene in this work and reveals a personal connection to Lowry

 
 
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Michelle Williams Gamaker on Magda Cordell's Figure

Artist Michelle Williams Gamaker talks about this work, telling us more about Magda Cordell and her life

 
 
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Lubaina Himid on Bridget Riley's Deny II

Artist Lubaina Himid discusses this work and how Bridget Riley has inspired her

 
 
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Rachel Barker on David Hockney's A Bigger Splash

Painting conservator Rachel Barker tells us about how she has studied this painting.

Artist David Hockney explains how to paint …

 
 
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Zoe Whitley on Chris Ofili's No Woman No Cry

Curator Zoe Whitley tells the story behind this work.

Artist Chris Ofili discusses the time period in Britain when he …

 
 
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Scottee on Gillian Wearing's Signs

Artist and writer Scottee explores working-class visibility in the art world and what this artwork means to him.

Artist Gillian …

 
 
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Lubaina Himid on Carrot Piece

Artist Lubaina Himid talks about the inspiration behind this work

 
 
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John Hegley on Henri Matisse's The Snail

Poet John Hegley on what he sees in The Snail

 
 
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Alice Proctor on Edward Degas's Little Dancer

Art historian Alice Proctor discusses Degas’s Little Dancer

 
 
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Annette King on Piet Mondrian's Composition B (No.II) with Red

Paintings conservator Annette King discusses Mondrian's ‘plan’ for this work

 
 
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Michael Wellen on Wilfredo Lam's Ibaye

Michael Wellen, curator on what attracts him to this Lam’s work

 
 
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Annette King on Salvador Dali's Autumnal Cannibalism

Annette King, paintings conservator, on the meaning of Dali’s title

 
 
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John Hegley on Germaine Richier's Chessboard, Large Version

Poet John Hegley considers names for Richier’s chess pieces

 
 
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Annette King on Ibrahim El-Salahi's Composition B (No.II) with Reborn Sounds of Childhood Dreams I

Conservator Annette King explains how El-Salahi made this work

 
 
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Rachel Barker on Mark Rothko's Seagram Murals

Rachel Barker, paintings conservator, explains why the Seagram Murals were painted

 
 
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Gates Sofer on Barbara Hepworth's Oval Sculpture (No. 2)

Gates Sofer, sculpture conservator, on the serenity in Hepworth’s work

 
 
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Zoe Whitely on Malangatana Ngwenya's Untitled

Curator Zoe Whitely discusses what Ngwenya’s work means to her

 
 
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Errolyn Wallen on Pablo Picasso's The Weeping Woman

Composer Errolyn Wallen on what she hears when she looks at Weeping Woman

 
 
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Rachel Barker on Joseph Beuys's Lightning with Stag in its Glare

Rachel Barker, paintings conservator, describes what we can see in Beuys’s work

 
 
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Zoe Whitely on Theaster Gates Civil Tapestry 4

Curator Zoe Whitely on the meaning behind Gates’s use of fire hoses

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