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Showing 141–160 of 183 results for autumn

In Focus

Art and Poetry

Fiona Stafford

Tate In Focus research project exploring Pegwell Bay, Kent – a Recollection of October 5th 1858 ?1858–60 by William Dyce
Tate Papers

Insights into Eva Hesse’s Working Practice: A Technical Study of Addendum 1967

Tamar Maor, Angelica Bartoletti and Bronwyn Ormsby

Eva Hesse created her sculpture Addendum in 1967, at a time when she was experimenting with and exploring new materials …

Read

William Hogarth at Tate

Tim Batchelor

The story of art in this country often begins with William Hogarth, who died in late October 1764. Satirist, printmaker, …

In Focus

Space Without Place: Francis’s Travel Paintings

Elizabeth Buhe

Tate Papers

Naum Gabo as a Soviet Émigré in Berlin

Christina Lodder

Naum Gabo’s arrival in Berlin in 1922, which initiated his lifetime emigration from the Soviet Union, has been interpreted as …

In Focus

Iconic Portraits: Revising the Canon

Anna Arabindan-Kesson

Tate Research In Focus study on Family Jules: NNN (No Naked Niggahs) 1974 by Barkley L. Hendricks
In Focus

Cathedrals from Light to Space

Andrianna Campbell

Tate Papers

Edward Hopper and British Artists

David Fraser Jenkins

This article examines the changes in Edward Hopper’s painting style during his stays in Paris between 1906 to 1910, and …

Tate Papers

Van Dyck and France under the Ancien Régime 1641–1793

Guillaume Faroult

Examining Anthony Van Dyck’s reputation in France from his death in 1641 to the opening of the Musée du Louvre …

Tate Papers

Representation and Reputation: Barbara Hepworth’s Relationships with her American and British Dealers

Emma Roberts

After the Second World War Barbara Hepworth sought to raise her profile in America, but her attempts to do so …

Tate Papers

Sir Edward Manton's Glebe: Completing the Provenance of Constable's Glebe Farm Sketch c.1830

Douglas Congdon-Martin

When John Constable’s sketch of The Glebe Farm was formally presented to Tate Britain in 2006, after the death of …

Tate Papers

August Sander and the Artists: Locating the Subjects of New Objectivity

Dorothy C. Rowe

Dorothy C. Rowe sheds light on the role played by photographer August Sander among the group of artists known as …

Tate Papers

Between America and the Borders: William Johnstone’s Landscape Painting

Beth Williamson

Scottish artist William Johnstone lived and worked in America for periods in the 1920s and 1940s, encountering a very different …

Tate Papers

To the Ends of the Earth: Art and Environment: Art & Environment

Nicholas Alfrey, Stephen Daniels and Joy Sleeman

Introducing the group of articles devoted to the theme of ‘Art & Environment’ in Tate Papers no.17, this essay reflects …

Tate Papers

Girl in a Chemise c.1905 by Pablo Picasso

Annette King, Joyce H. Townsend and Bronwyn Ormsby

Picasso transformed an earlier painting of a boy to create this profile of a slender young woman. This paper uses …

In Focus

An Introduction

Christopher Townsend, Alexandra Bickley Trott and Rhys Davies

Tate Papers

New Media Art and the Gallery in the Digital Age

Charlie Gere

This paper examines some the changes that digital technology has wrought upon conceptions of space, time and culture, and how …

Tate Papers

Jolt, Catalyst, Spark! Encounters with Artworks in the Schools Programme at É«¿Ø´«Ã½

Michèle Fuirer

This paper describes the findings of a practice-based research project to assess the qualitative shifts in learning made by participants …

Tate Papers

Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity

Sam Smiles

The artistic representation of British antiquity brings in its wake a problem of methodology: how are the working assumptions of …

Tate Papers

To Be Continued: Periodic Exhibitions ( dOCUMENTA , for Example): Landmark Exhibitions Issue

Walter Grasskamp

In this paper the author reflects on the early history of the dOCUMENTA exhibitions held every five years in Kassel, …

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