Showing 1,761–1,780 of 3,511 results
Dialogue, Encounter, Exchange: Joseph Beuys’s Visual and Textual Presence in Art into Society – Society into Art (1974)
Joseph Beuys’s participation in the influential exhibition Art into Society – Society into Art: Seven German Artists, held in …
The Great Reason of the Body: Friedrich Nietzsche, Joseph Beuys and the Art of Giving Meaning to Matter and Earth
This paper explores how Joseph Beuys interpreted philosopher Friedrich Nietzsche’s concepts of the ‘Great Reason of the Body’ and the …
Video Commune: Nam June Paik at WGBH-TV, Boston
In the late 1960s and early 1970s, the video artist Nam June Paik created his earliest works for broadcast at …
From Ephemeral Experiences to Lasting Legacies: Discourses on Experimental Art in the Philippines during the 1960s and 1970s
This paper shows how the Philippine visual art scene of the 1960s and 1970s offered particularly fertile ground for early …
Editorial
This editorial marks the first in a series of updates about the ways Tate Papers is changing. Co-written by the …
John Constable and Paul Huet: Marsh and Flood
This paper revisits a familiar episode in accounts of John °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s career – his reception and legacy in France. Paul …
‘Fire and Water’: Turner and Constable in the Royal Academy, 1831
Pictures by John Constable and J.M.W. Turner hung side by side in the Royal Academy in 1831, an arrangement orchestrated …
Gothic Cathedrals from Romanticism to Modernism: Images and Ideas
Taking as its starting point John °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s Salisbury Cathedral from the Meadows exhibited 1831, this paper considers what factors made …
‘No Continuing City’: John Constable, John Britton and Views of Urban History
This article explores the place of urban subjects in works by the nineteenth-century artist John Constable, who is generally known …
The Framing of John °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s Salisbury Cathedral from the Meadows
This paper examines the re-framing of John °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s Salisbury Cathedral from the Meadows, first exhibited at the Royal Academy …
‘No Mercenary Views’? °ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s English Landscape
°ä´Ç²Ô²õ³Ù²¹²ú±ô±ð’s English Landscape 1830–2, a set of twenty-two mezzotints by David Lucas after paintings by the artist, has generally been …
Constable and the Dynamics of Vision
The nineteenth-century painter John Constable read about and experimented with theories of visual perspective that were published before and during …
Alan Uglow: From Britain to America
The British painter Alan Uglow left London in 1969 to permanently live in New York where he became associated with …
Artist Versus Teacher: The Problem of David Bomberg’s Pedagogical Legacy
The British artist David Bomberg’s parallel activities of teaching and painting during his later career are often treated as oppositional. …
Severance: Jessa Fairbrother’s Conversations with My Mother 2016
In her artist book Conversations with My Mother, self-published in 2016, Jessa Fairbrother explores the complex emotions she felt …
Insights into Eva Hesse’s Working Practice: A Technical Study of Addendum 1967
Eva Hesse created her sculpture Addendum in 1967, at a time when she was experimenting with and exploring new materials …
Guttuso, Guernica, Gramsci: Art, History and the Symbolic Strategy of the Italian Communist Party
The Italian Communist artist Renato Guttuso found in Picasso’s 1937 painting Guernica a language with which to confront the violence …
‘Layers of Looking’: Changing Surfaces in the Paintings of Gary Hume
This article explores issues of change in the high gloss surfaces of four of Gary Hume’s paintings: Incubus 1991, Water …
‘A Summing Up of All I Have Ever Thought’: Adrian Stokes’s ‘In Short’ (1942) and his Other Writings of the Period: Appendices
Appendices to Tate Papers issue 20; Paul Tucker's ‘A Summing Up of All I Have Ever Thought’: Adrian Stokes’s ‘In …
The Very Late Style of Hans Hartung
Hans Hartung (1904–1989) suffered a major stroke in 1986 and was wheelchair-bound for his remaining years. Yet in this period …