Showing 161–180 of 3,429 results
Afterthoughts: Introduction
Matthew Gale , Afterthoughts: Introduction; Tate Papers no.8
Degradation of Naum Gabo’s Plastic Sculpture: The Catalyst for the Workshop
Stephen Hackney, Degradation of Naum Gabo’s Plastic Sculpture: The Catalyst for the Workshop, Tate Papers no.8
Tate Sculpture Replica Project
Jackie Heuman and Lyndsey Morgan, Tate Sculpture Replica Project' Tate Papers no.8
Resistance to Replication
Margaret Iversen, Resistance to Replication, Tate Papers no.8
The Passing Away of Art
Ulrich Lang, The Passing Away of Art; Tate Papers no.8
Replication and Decay in Damien Hirst's Natural History
Petra Lange-Berndt, Replication and Decay in Damien Hirst's Natural History; Tate Papers no.8
The Model of Vladimir Tatlin’s Monument to the Third International: Reconstruction as an Instrument of Research and States of Knowledge
Nathalie Leleu, The Model of Vladimir Tatlin’s Monument to the Third International: Reconstruction as an Instrument of Research and States …
Replicas of László Moholy-Nagy’s Light Prop: Busch-Reisinger Museum and Harvard University Art Museums
Henry Lie, Replicas of László Moholy-Nagy’s Light Prop: Busch-Reisinger Museum and Harvard University Art Museums; Tate Papers no.8
Naum Gabo and the Quandaries of the Replica
Christina Lodder, Naum Gabo and the Quandaries of the Replica; Tate Papers no.8
Posthumous Legal and Ethical Issues
Henry Lydiate, Posthumous Legal and Ethical Issues; Tate Papers no.8
Authority and Ethics
Carol Mancusi-Ungaro, Authority and Ethics; Tate Papers no.8
Gabo Cataloguing Project at the Tate Archive
Anna McNally. Gabo Cataloguing Project at the Tate Archive; Tate Papers no.8
Why/Why Not Replicate?
Jennifer Mundy, Why/Why Not Replicate?; Tate Papers no.8
Kurt Schwitters: Reconstructions of the Merzbau
Karin Orchard, Kurt Schwitters: Reconstructions of the Merzbau; Tate Papers no.8
Reconstructing the Forgotten: An Exhibition of 1970s and 1980s Video Installations, Re-staged with Authentic Technology
Joanna Phillips, Reconstructing the Forgotten: An Exhibition of 1970s and 1980s Video Installations, Re-staged with Authentic Technology; Tate Paper no.8
The Enduringly Ephemeral
Alex Potts, The Enduringly Ephemeral; Tate Papers no.8; on the conservation or replication of works whose ephemerality is integral to …
Carl Andre
Alistair Rider, Carl Andre; Tate Papers no.8
Should We Reproduce the Beauty of Decay? A Museumsleben in the work of Dieter Roth
Heide Skowranek, Should We Reproduce the Beauty of Decay? A Museumsleben in the work of Dieter Roth; Tate Papers no.8
Inherent Vice
Julian Stallabrass, Inherent Vice; Tate Papers no.8; the implication that replication in sculpture is an inherent vice
Replication: Some Thoughts, Some Works
Simon Starling, Replication: Some Thoughts, Some Works; Tate Papers no.8