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Showing 1,781–1,800 of 3,511 results

Tate Papers

Politically Engaged Artistic Practice: Strategies and Tactics

David Bates and Thomas Sharkey

This paper explores political forms of artistic practice operating within Tate Exchange broadly and within the authors’ creative practice specifically. …

Tate Papers

Participation in the Art Museum: Defining New Models for Public Engagement at Tate Exchange

Peter Ride

This paper takes as a case study the Tate Exchange programme created by the University of Westminster Associate group in …

Tate Papers

Curating Spaces for Not-Knowing

Deborah Riding

This paper discusses a research study undertaken at Tate Liverpool in 2013–16 that investigated experiences of co-creating knowledge about the …

Tate Papers

The Biennial Under Contestation: Local Perspectives on the Tenth São Paulo Biennial (1969)

Caroline Saut Schroeder

The international boycott of the tenth São Paulo Biennial (1969) is widely cited as a successful political intervention. The emphasis …

Tate Papers

How to Talk About Biennials That Don’t Exist: Reassembling the Twelfth São Paulo Biennial (1973)

Isobel Whitelegg

The twelfth São Paulo Biennial (1973) was an under-documented exhibition that lacked unifying coherence and received little critical attention. The …

Tate Papers

The Other Biennial: São Paulo’s ‘National Biennial’, 1970–6

Renata de Oliveira Maia Zago

Between 1970 and 1976, the Fundação Bienal de São Paulo organised four biennial exhibitions of Brazilian art. Initially proposed as …

Tate Papers

The Making of a Triptych: The Annunciation and Adoration of the Magi 1861 by Edward Burne-Jones

Rachel Scott, Fiona Mann, Katherine Hinzman, Joyce H. Townsend and Alastair Johnson

This paper examines Edward Burne-Jones’s commission to make an altarpiece for St Paul’s church, Brighton. For this, his first major …

Scholarly Article
Tate Papers

Ecologies of Memory in the Conservation of Ten Years Alive on the Infinite Plain

Hélia Marçal

This paper discusses the role of memory ecologies in the conservation and activation of complex performance artworks. Taking Tony Conrad’s …

Tate Papers

Works by Modigliani that have Paintings beneath the Visible Surface

Anaïs Genty-Vincent, Simonetta Fraquelli, Annette King, Allison Langley, Jennifer Mass, Kim Muir, Mina Porell, Marie-Amélie Senot, Anya Shutova and Joyce H. Townsend

Recent technical studies of the Italian artist Amedeo Modigliani’s paintings have revealed that he frequently used canvas supports that already …

Tate Papers

Elvira, Dressed and Undressed: A Comparative Study of Two Portraits by Amedeo Modigliani

Nathalie Bäschlin and Courtney Books

In this article, a comparison of Amedeo Modigliani’s portraits Elvira Resting at a Table 1918–19 and Standing Nude (Elvira) 1918 …

Tate Papers

Modigliani’s Portraits of Jeanne Hébuterne 1918–19: A Selected Technical and Material Study

Anikó Bezur, Silvia A. Centeno, Isabelle Duvernois, Anaïs Genty-Vincent, Miriam Gillman, Frauke V. Josenhans, Pablo Londero, Cynthia Schwarz and Lena Stringari

This technical study of six portraits by Amedeo Modigliani of his model and partner Jeanne Hébuterne, all painted between 1918 …

Tate Papers

Modigliani’s Painted Nudes: A Technical Study

Barbara Buckley, Aviva Burnstock, Silvia A. Centeno, Michael Duffy, Isabelle Duvernois, Anaïs Genty-Vincent, Jennifer Mass, Marie-Amélie Senot and Lena Stringari

This article is part of an ongoing research project into Modigliani’s nude portraits that began on the occasion of a …

Tate Papers

Madame Zborowska and Portrait of a Student: A Case Study of Two Paintings Not Included in Ambrogio Ceroni’s Modigliani Publication of 1970

Simonetta Fraquelli, Vivien Greene, Annette King, Lena Stringari and Joyce H. Townsend

Two of Modigliani’s portraits made between 1918 and 1919 were not included in the most widely accepted catalogue of the …

Tate Papers

Richard Bell’s Embassy: Reshaping the Contemporary Art Museum

Haidy Geismar

This article explores how some of the key discourses of the contemporary art museum may be apprehended and reframed from …

Tate Papers

Learning through the Acquisition and Display of Works by Ima-Abasi Okon: Enacting Radical Hospitality through Deliberate Slowness

Libby Ireland

As part of the research project Reshaping the Collectible: When Artworks Live in the Museum, practice-based research was undertaken in …

Tate Papers

‘Nothing Comes Without its World’: Learning to Love the Unknown in the Conservation of Ima-Abasi Okon’s Artworks

Jack McConchie

This paper gives an account of the author’s experience as a time-based media conservator working on the acquisition and display …

Tate Papers

Editorial

When Tate Papers was launched in 2004, it was the only free online scholarly journal on art in the United …

Tate Papers

The Construction of Whiteness, Gender and Race in Early Modern Portraits

Janet Couloute

This article examines the construction of whiteness in three early modern portraits in the Tate collection: The Cholmondeley Ladies c.1600–10 …

Tate Papers

Ethel Walker, Advocacy and Recognition in the Early Twentieth Century

Jon King

Recent exhibitions have highlighted Ethel Walker’s significant role in early twentieth-century British art. This article examines Walker’s self-advocacy, the support …

Tate Papers

The Archive is a Gathering Place

This publication is a record of the talks, panel discussions and performances presented at The Archive is a Gathering Place, …

Artwork
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