​The second in a series of three screenings to accompany the exhibition Conceptual Art in Britain 1964–1979.
By expanding the definition of what an artwork could be, artists began exploring the ephemeral and time-based possibilities of film and video. This became a central focus for many artists questioning the material and aesthetic conditions of their work, as well as its duration. Film was primarily a documenting medium; using the camera as a means of recording statements and proposing ideas. Here we present a selection of those propositions, including works by Roger Ackling, Braco Dimitrijević, David Dye, David Lamelas, Tony Morgan and Zoran Popovic.Â
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Roger Ackling
Boot Film 1968
Film, 16 mm transferred to DVD, colour, no sound
7 minutes
Courtesy of Annely Juda and Ingleby Gallery
David Dye
Two Cameras 1970
Film, 8mm, colour, no sound
4 minutes
Courtesy of the Estate of David Dye
David Dye
Mirror Film 1972
Film, 8mm, colour, no sound
6 minutes, 45 seconds
Courtesy of the Estate of David Dye
Braco Dimitrijević
Metabolism as a Body Work 1971
Film, 8mm transferred to DVD, black and white, no sound
2 minutes
Courtesy the artist
Braco Dimitrijević
Film by Margaret Neville 1972
Film, 8mm transferred to DVD, black and white, sound
2 minutes, 33 seconds
Courtesy the artist
Film by Marco Barisic 1970
Film, 8mm transferred to DVD, black and white, sound
4 minutes
Courtesy the artist
Tony Morgan 1938–2004
Description 1970
Film, 16mm transferred to DVD, black and white, sound
11 minutes
Courtesy Thomas Dane and Richard Saltoun
Tony Morgan
Camera 1971
Film, 16mm, black and white, no sound
2 minutes
Courtesy Thomas Dane and Richard Saltoun
David Lamelas
To Pour Milk into a Glass 1972
Film, 16 mm transferred to DVD, colour, sound
8 minutes
Courtesy David Lamelas and LUX
Zoran Popović
Struggle in New York (Borba u Njujorku) 1976
Film, 16 mm transferred to DVD, black and white, sound
56 minutes 30 seconds
Courtesy of Zoran Popović and Handel Street Projects