
Malcolm Morley with his 1984 Turner Prize installation
© Tate photography
After trying in 1964 to paint a ship from real life Morley turned toÌýphotographsÌýof ships, which he copied in a meticulousÌýtrompe l’oeilÌýstyle with the aid of a grid. These marked the beginning ofÌýPhotorealismÌýin the USA, although Morley preferred the term Super Realism. Replicating the original in an almost mechanical way and conceiving of the painting simply as a coloured surface, Morley undermined the distinction between the abstract and theÌýfigurative.